Thursday, December 1, 2022

Branching Out : Lizz Murphy

Dear Networks Australia

Thank you so much for the opportunity to facilitate a poetry workshop in conjunction with Tree Whispers at BAC.

Branching Out attracted a small but enthusiastic group of five writers including Cheryl and Roberta who belong to a writing group (coordinated by Kathy Kituai) and write regularly, Suzanne who works in communications and wants to explore creative writing more, and Robyn and Carol who didn't see themselves as writers, but were very attracted to the idea of spending a day talking and writing about trees. Cheryl of course is Cheryl Jobsz, also a visual artist and a member of Network Australia with work in Tree Whispers.

Three of the writers had either not been to BAC previously or it had been a very long time since they visited and in one case just a one-off anyway.

Everyone brought tree related material which sparked a lot of happy discussion, especially Robyn's photos of trees at the Darling River and Carol's photos of trees from her former property at Burra. Robyn had planted native trees to attract birds and Carol would roam her 53 acres photographing trees which had significance for her. Suzanne walks and hikes in this her adopted country and finds trees 'anchoring.' We were all tree lovers writing together.

The poets shared photos, books, images and responded to these along with the information, images and native tree cuttings which I had supplied. They wrote a wonderful range of poems exploring ancient trees, the texture, strength and beauty of trees, trees as habitat and trees as special memories.

In the afternoon they spent time with Tree Whispers examining the techniques and enjoying each work. This inspired very interesting writing including: Carol fell in love with shadows and wrote about connections and lifelines; Suzanne was fascinated by the miniaturization of trees through bonsai and likened these to women with bound feet; Robyn was particularly taken with Cheryl's Where are the Birds? noting that birds don't have time to get depressed; both Cheryl and Roberta were inspired by Deborah Faeyrglenn's Underground Forest: sharing water, sharing danger among others, writing about stillness, dancing magic, slow growth, gnarled moments and the significance of trees in life.

Cheryl said of the exhibition and poetry workshop: Focusing on tree artwork and tree poetry had me noticing trees more than I used to. It helped me re-enter my childhood through the trees I knew. 

Thank you all again for your inspiring artwork and this opportunity.

Lizz Murphy

Friday, November 11, 2022

Sharon Peoples: OPEN STUDIO

 


Open Studio 
10am-4pm
19 November 2022 
46 Miller Street 

Monique Van Nieuwland: OPEN STUDIO

 





Monique van Nieuwland’s Open Studio is open at 10:00am – 4:00pm on Saturday, 19 November at 41 Scrivener Street, O’Connor, ACT.

Monique van Nieuwland learned to weave in the Netherlands and bought her first loom in the late 70s while she was working on a commission weaving fabrics for curtains and tablecloths. Van Nieuwland uses a computerized Jacquard loom, which is the latest state-of-the-art weave technology. She is passionate about weaving, keeping it current as an innovative form of expression. Visitors can expect a range of works available for purchase, and a weaving demonstration on her equipment which ranges from simple band looms, floor loom, computer dobby loom to a high tech computer Jacquard loom.

Monique van Nieuwland

Valerie Kirk: OPEN STUDIO

Valerie Kirk website

Wednesday, October 26, 2022

Ola Robertson Artworks: The Wasting Body

Ola Robertson The Wasting Body, 2022: 25x20x5cm Polyester thread 


Artist: Ola Robertson Artworks: The Wasting Body

Poet: George Gordon McCrae Title: Life’s a Cigar


Thursday, October 20, 2022

Rozalie Sherwood Artworks: Cry for Peace

 

Rozalie Sherwood, Cry for Peace, Photographer Fiona Bowring 

Artist: Rozalie Sherwood Artworks: Cry for Peace

My work is a response to Murphy’s satirical poem, World Peace. Her words speak of the unpredictability, insecurity, and fragility of life, in a confronting yet surprisingly entertaining manner. My choice of ink colours to depict blood, ash and smoke on linen shapes with holes, and my strong black machine stitching, interprets this unpredictability and fragility. This series of three portrays the passing of time, with war continuing, yet ongoing hope for peace.

Poet: Lizz Murphy
Title: World Peace
Murphy, L. (2000) ‘World Peace’ in Two Lips Went Shopping. (Spinifex Press, p. 79)

Poem:

We watch the progress of peace talks Hold our breath for news that will hold our people together Hold our breath for news in fear that the next killing will be our own We watch the progress of other wars Hold our breath for news of bigger threats Hold our breath in fear for the people of the world Watch the madding crowds fight for their futures fight for basic rights fight back for what they believe in An Australian airline promotes world peace A white dove frozen in flight on a magazine page of indigo night Peace as commodity Travellers whisked away relax safe in the knowledge that this airline will continue the quest Two hundred airport lounges and complimentary snacks.

Rozalie Sherwood Instagram

Tuesday, October 18, 2022

Second Look: remade and reimagined textiles

 

Brenda Livermore, Ground Lines 2021-2022: photographer Ruby Livermore



Second Look:
 remade and reimagined textiles

Barometer Gallery 

Wednesday 26 October to 13 November 2022
Open: Wednesday to Sunday, 11am to 5pm each day.
Opening event: Saturday 29 October, 3 to 6pm.
Artist talks with Emma Peters, Melinda Young and Michele Elliot at the opening.

Second Look: remade and reimagined textiles exhibition reflects on how handmade textiles are made, archived, used and re used by makers. Exhibitors have saved, stored and archived pieces they have made in the past and reworked them into ‘new’ artworks or have collected interesting textiles to repurpose them into ‘new’ artworks. Second Look: remade and reimagined textiles incudes stitched, pieced, collaged, recoloured and re woven textiles and exhibitors have used whatever technique they think appropriate to re-contextualising their textiles into new works. Both approaches create pieces full of memory with traces of use, history and a past life. All exhibitors value their materials, the hand made and in this exhibition are giving textiles a new life, a Second Look.

Artists: Jane Bodnaruk, Mary Burgess, Vita Cochran, Ro Cook, Michele Elliot, Nicole Ellis, Vivien Haley, Beth Hatton, Wendy Holland, Chris Hutch, Brenda Livermore, Christina Newberry, John Parkes, Emma Peters, Julia Raath, Sylvia Riley, Barbara Rogers, Julie Ryder, Liz Williamson and Melinda Young.