Monday, July 26, 2021
Saturday, May 22, 2021
Craft ACT Residency with Namadgi National Park and Geoscience Australia.
Namadgi National Park. Photo Valerie Kirk |
Namadgi National Park. Photo Valerie Kirk |
Valerie Kirk, Photo Harriet Schwartzrock |
Artwork by Valerie Kirk, photo Valerie Kirk |
Valerie Kirk
During the 3 week residency period at Namadgi National Park I stayed at Gudgenby Ready Cut cottage in the south of the park with fellow Artist in Residence, Harriet Shwartzrock. My project was to focus on the rocks and plants to think about time, impermanence, living in the present and being mindful of the past and future.
Looking at the rock outcrops and giant tors, which are a significant geological feature in the landscape, I was in awe of the solid forms and their history through millions of years past. Although often large and formidable in weight, they have been changed over time by the elements – rain, frost, fire and floods. I also looked at the plants as I walked noticing their forms and stage of going to seed in autumn and thought about how later this year they will flower again, a short cycle of growth and renewal.
During the residency I studied the granite rocks and plants, documenting the impact of fires, rain and climate change through expressive drawing and weaving “en plein air”. Aspects I considered are: micro/macro, broad scale and focussed viewpoint, gesture, mark and texture. How to evoke concepts of time, change, urgency, devastation, impact and generate future forward thinking – renewal, care, paying attention to Earth? Further development of experimental and creative work will allow me to reflect on ideas and generate a new resolved body of work for exhibition at Craft ACT in 2022.
Sunday, May 16, 2021
Crocosmia Seed Pod
Tuesday, March 23, 2021
Valerie Kirk Geoscience Australia and Namadgi National Park Residency
Valerie Kirk and Harriet Schwarzrock in Geoscience Australia bulk storage, image @_5foot |
Fossil at Geoscience Australia, image @_5foot |
Rock Collection at Geoscience Australia, image @_5foot |
Valerie Kirk, drawing at Geoscience Australia, image @_5foot |
Valerie Kirk
Craft ACT Residency at Geoscience Australia and Namadgi National Park.
Rocks, fossils, plants – understanding deep history and protecting land for the future.
The residency is a unique opportunity to research, understand and respond to climate change/environmental issues and contributing factors. It allows me to deeply engage with the Geoscience Australia collection and the physical environment of Namadgi National Park through my specific interests.
Rocks and plant fossils fascinate me because they evoke a deep sense of time, show changing climates and evolution of the surface of the Earth. They appear solid and mark endurance.
Australia’s botanical heritage, as witnessed in the fossil record, and contemporary diversity of plants gives me a connection to place and appreciation of each moment from seed, to flower then withering. The cycle continues for posterity.
My project focuses on these elements and associated issues.
Part 1 of the residency – 9 days at Geoscience Australia, March 2021
Part 2 of the residency – 3 weeks at Namadgi National Park, April May 2021
@_5foot Photography
Thursday, March 18, 2021
Tree Conversations: networking with the wood wide web
Basil Sellers Exhibition Centre
Corner of Vulcan St and Campbell St
Moruya NSW 2537
Opening hours
Tuesday - Sunday 10am - 4pm
Tuesday, March 9, 2021
Karyn Fearnside House of Cards Car
Karyn is one of the participating artist in reNEWal at Altenburg & Co Gallery
Karyn Fearnside House of Cards 2021 |
Karyn Fearnside House of Cards 2021 |
Karyn Fearnside
House of Cards
2021
42cm x 38 cm x 14cm
Hahnemuhle paper, black fineliner, tissue paper, glue and water
Monday, March 8, 2021
Gail Nichols Black Lace Horizon
Gail is one of the participating artist in reNEWal at Altenburg & Co Gallery
Gail Nichols Black Lace Horizon, 2020 |
Gail Nichols
Black Lace Horizon
2020
Free motion machine embroidery on Khadi paper and recycled fabric
38 x 28 x 6 cm
Image courtesy of the artist
Saturday, March 6, 2021
Art Textile Biennale 2020
Toowoomba Regional Art Gallery
03 April – 31 May 2021
Tuesday, March 2, 2021
reNEWal Exhibition
reNEWal
Networks Australia
12th March - 17th April 2021
Monday - Friday 10am-4pm
Altenburg & Co galley Braidwood NSW
Katherine White Bud 2021 |
Cheryl Jobsz Bower of Loss and Hope 2021 |
Liz Perry Forest Drawing 2021 |
Gail Nichols Black Lace Horizon 2021 |
Angela Coleman
Cheryl Jobsz
Dotti Le Sage
Gail Nichols
Janet Long
Karyn Fearnside
Monique van Nieuwland
Rachel Develin
Susan Hey
Bev Moxon Gathering Moss
Friday, January 29, 2021
Sue Wood : In Place
Sue Wood, Age-Old Country (detail), 2021. Acrylic on canvas. Image courtesy James T Farley. |
Sue Wood - In Place
5 February - 14 February 2021
Wagga Wagga Regional Art Gallery
Artist Statement
In Place invites visitors to experience some of the many ways we interact with the landscape: looking at it, immersing ourselves in it, and trying to impose order on it. The paintings, drawings and books in the exhibition respond to the landscapes of the Riverina, where Sue Wood lives and works and Central Australia, which she has visited many times.Small Works Art Prize : Deborah Faeyrglenn
Deborah Faeyrglenn, Burnt Sisters 2019-20,
Deborah Faeyrglenn, Burnt Sisters 2019-20, |
Deborah Faeyrglenn, Burnt Sisters 2019-20, |
Deborah Faeyrglenn, Burnt Sisters 2019-20, |
Artist Statement: Deborah Faeyrglenn
These small works continue my interest in forests and in particular the impact of catastrophic bushfires and how trees survive. Stitching, drawing, and found materials are ongoing elements in my arts practice. In these works, I have rescued discarded tableware, cut away damaged/stained areas, stitched a network of underground tree roots and drawn the burnt forests. The mirrored background and tableware are metaphors for human inter-connection with forests.
Small Works Art Prize : Rozalie Sherwood
Rozalie Sherwood, Dancing with Demons 2019, linen, ink, thread, banknote, paper (from article in French on democracy), acrylic sheet. |
Rozalie Sherwood, Dancing with Demons 2019, linen, ink, thread, banknote, paper (from article in French on democracy), acrylic sheet. |
Rozalie Sherwood, Dancing with Demons 2019, linen, ink, thread, banknote, paper (from article in French on democracy), acrylic sheet. |
Rozalie Sherwood, Dancing with Demons 2019, linen, ink, thread, banknote, paper (from article in French on democracy), acrylic sheet. |
Winner of the Clifroy Prize: Rozalie Sherwood
Artist Statement
This work came from time spent in DRC (Congo) in 2019 - a country disrupted by war, poverty, corruption and tribalism.
Passing the street vendors who sold simcards and internet access, I saw the huge piles of cash most had sitting on tables in front of them. I found it disturbing to see all that cash and to know that most people can afford only one meal each day. (1 Congolese Franc equals 0.00089 AUD; around 3000 Francs will buy a beer or a litre of milk.)
https://www.instagram.com/rozalie.sherwood/
Growth Rings : Ann McMahon
Ann McMahon, Growth Rings 2021 |
Ann McMahon, Growth Rings (detail) 2021 |
Growth Rings : Ann McMahon
5 February - 3 March 2021
Ann McMahon is drawn to the tactile, aesthetic & narrative qualities of textiles, a fascination she pursued during studies in the ANU School of Art Textiles Workshop. Since graduating in 2000 she has worked extensively in three dimensional off-loom weaving with recycled waste & harvested materials. Her work expresses through a merging of form & materiality to explore the environment, economic equity & sustainability as well as the nature of human existence.